Music 701: Reading List, 2003:

Initial selections will be made from the materials listed below. Specific page numbers will be assigned in due course. Additional readings will be considered as the course develops. 

·  Green, Douglass, Form in Tonal Music (any edition).

·  Levarie, Siegmund, and Ernst Levy, Musical Morphology (Kent, OH: Kent State Press, 1983). 

·  Renwick, William, “A Subject of Four Notes: William Crotch's Experiment in Motivic Saturation” , MTO Vol. 0/10 (1994)
·  The Langloz Manuscript:  Fugal Improvisation Through Figured Bass, Oxford University Press, 2001 (Early Music Series).
·  Analyzing Fugue: A Schenkerian Approach, Pendragon Press, 1995. (Reviews in Music and Letters, Notes,  Music Analysis, Music Theory Spectrum, and Integral.)

·  Schenker Analysis Glossary (web version), with David Walker (English and German), 2001. 

·  "Hidden Fugal Paths: A Schenkerian View of Handel's F Major Fugue (Suite II)", Music Analysis, XIV-1 (March, 1995): 53-71.

·  Walker, David, and William Renwick

 


Supplementary list

·  Agawu, N. Kofi, "Analyzing Music Under the New Musicological Regime" 

·  Agawu, V. Kofi, Playing with signs : a semiotic interpretation of classic music, (Princeton, N.J. : Princeton University Press, 1991). (R Spectrum, 1992 [LC Call No.: ML3838 .A317 1991] 

·  Bent, Ian, and William Drabkin, Analysis (London, MacMillan, 1987). 

·  Bent, Ian, "Analysis," The New Grove (London: MacMillan, 1980). 

·  Berry, Wallace, Structural Functions of Music (Englewood Cliffs: Prentice-Hall, 1976). 

·  Brown, Matthew, ""Adrift on Neurath's Boat": The Case for a Naturalized Music Theory" 

·  Burnham, Scott, "Theorists and "The Music Itself" 

·  Cadwallader and Gagne, Analysis of Tonal Music: A Schenkerian Approach, Oxford, 1998 

·  Carpenter, Patricia, "Grundgestalt as Tonal Function," Music Theory Spectrum 5 (1983) 

·  Clifton, Thomas, Music as Heard (New Haven: Yale University Press, 1983). (R Spectrum 1985) 

·  Cooke, Nicholas, Music Analysis

·  Dahlhaus, Carl, Analysis and Value Judgment (Stuyvesant, NY: Pendragon, 1983). 

·  Dubiel, Joseph, "On Getting Deconstructed" 

·  Dunsby, Jonathan, and Arnold Whittal, Music Analysis in Theory and Practice (London, Faber, 1988). 

·  Forte, Allen, The Structure of Atonal Music (New Haven: Yale, 1973). 

·  Forte, Allen, The American Popular Ballad of the Golden Era, 1924-1950 (Princeton, N.J. : Princeton University Press, 1995. [LC Call No.: ML3477 .F67 1995] 

·  Forte and Gilbert, Introduction to Schenkerian Analysis, Norton, 1982

·  Green, Douglass, Form in Tonal Music (any edition).

·  Guck, Marion, "Music Loving, Or the Relationship with the Piece" 

·  Katz, Adele, Challenge to Musical Tradition, Da Capo Press, 1972, pp. 1-38. 

·  Kerman, Joseph, Contemplating Music (Cambridge, Mass.: Harvard University Press, 1985). 

·  Timothy Koozin, On Metaphor, Technology, and Schenkerian Analysis (Using technology in analysis) 

·  Lester, Joel, Analytic Approaches to Twentieth Century Music (New York: Norton, 1989). 

·  Lewin, David, Generalized Musical Intervals and Transformations (New Haven: Yale University Press, 1987). [NB: not in library] (R Spectrum 1989) 

·  McCreless, Patrick, "Contemporary Music Theory and the New Musicology: An Introduction" 

·  Meyer, Leonard, Explaining Music (Chicago, U of Chicago Press, 1973). 

·  Morris, Robert, Composition with Pitch Classes (New Haven: Yale, 1987). (R Spectrum 1989) 

·  Nattiez, Jean Jaques, Music and Discourse (Princeton: Princeton University Press, 1990). 

·  Palisca, Claude, "Theory," The New Grove (London: MacMillan, 1980) 

·  Parks, Richard, The Music of Claude Debussy (New Haven: Yale, 1989). (R Spectrum 1992) 

·  Perle, George, Serial Composition and Atonality (Berkeley: UC Press, 1991) 

·  Rahn, John, Basic Atonal Theory (New York: Longman, 1980). (R Spectrum 1982) 

·  Reti, Rudolph, The Thematic Process in Music (New York: MacMillan, 1962). 

·  Schachter, Carl, "Rhythm and linear Analysis: Durational Reduction", The Music Forum V (1980), 197-232. 

·  Schenker, Heinrich, Free Composition (New York: Longman, 1979). (R Spectrum 1982) 

·  Schoenberg, Arnold, Coherence (Lincoln NB: University of Nebraska Press, 1994). (R Spectrum 1997) 

·  Schoenberg, Arnold, The Musical Idea (New York: Columbia University Press, 1995). (R Spectrum 1997)

·  Snarrenberg, Robert, Schenker's Interpretive Practice, Cambridge UP, 1997. 

·  Yeston, Maury, Readings in Schenkerian Analysis, Yale UP, 1977